Jason Voorhees is not scary. He's killed countless people in countless ways, but it's all kind of silly. What I saw last Thursday? Now that was terrifying. The thing is, Jason should scare me more. Easily. I mean, at least Jason is possible. The deaths, as ridiculous as they may be could happen. I could have sex in a bunk bed. Unlikely, sure. But it could happen. And after that, an arrow could be jammed through my neck from below. Yeah, it would suck, but I'd manage. At least I'd die in a bed. In a house. On Earth.
With all due respect, f--k space. F--k everything about it. Those serene shots of the sun rising over Earth? Bullshit. That shit ain't peaceful. That's certain, quiet death.
I loved every minute of Gravity. Well, not while I was watching it, actually (you can't love something that's choking you), and not immediately afterward, either (my equilibrium was f--ked up). But the next day? Very much so. And while its box-office success is bringing out more and more detractors, I am obviously not one of them. Gravity is a cinematic experience unlike anything else I've ever been a part of. The film literally took my breath away.
From a technical perspective, the film is unquestionably brilliant. But while numerous films have stunned me visually, few, if any, have also packed the emotional weight of director Alfonso Cuaron's Gravity. Not only did I want everyone to make it home safely, I needed them to.
The story is actually quite simple, and takes place in what feels like real time. After surviving an accident in outer space, astronauts Ryan Stone (a never better Sandra Bullock) and Matt Kowalski (George Clooney, consistently perfect) must improvise a plan to stay alive and get home. The challenges they face are relentless, and the overwhelming emptiness of space exacerbates everything. And making things somehow even worse (though, ultimately, great), the whole story is presented so seamlessly, in these fantastically long shots, you can't help but feel a part of every decision, every catastrophe.
With all due respect, f--k space. F--k everything about it. Those serene shots of the sun rising over Earth? Bullshit. That shit ain't peaceful. That's certain, quiet death.
I loved every minute of Gravity. Well, not while I was watching it, actually (you can't love something that's choking you), and not immediately afterward, either (my equilibrium was f--ked up). But the next day? Very much so. And while its box-office success is bringing out more and more detractors, I am obviously not one of them. Gravity is a cinematic experience unlike anything else I've ever been a part of. The film literally took my breath away.
From a technical perspective, the film is unquestionably brilliant. But while numerous films have stunned me visually, few, if any, have also packed the emotional weight of director Alfonso Cuaron's Gravity. Not only did I want everyone to make it home safely, I needed them to.
The story is actually quite simple, and takes place in what feels like real time. After surviving an accident in outer space, astronauts Ryan Stone (a never better Sandra Bullock) and Matt Kowalski (George Clooney, consistently perfect) must improvise a plan to stay alive and get home. The challenges they face are relentless, and the overwhelming emptiness of space exacerbates everything. And making things somehow even worse (though, ultimately, great), the whole story is presented so seamlessly, in these fantastically long shots, you can't help but feel a part of every decision, every catastrophe.