Lewis Black has a great bit about anticipation being the best part of life. His point, is that the moment just prior to whatever you've been waiting for is actually the pinnacle of the entire experience. The rest is just a letdown. This is an absolute truth when it comes to watching horror movies. Seeing whatever it is that is tormenting everyone, can't match the level of intensity in the seconds prior to the big reveal. The best thing about not knowing for sure, is there still the possibility that this could really happen. Things are still realistic.
The Cabin in the Woods fails on the realistic angle almost immediately, which removes damn near all the scares, unfortunately. But, it succeeds on just about every other level. While I enjoyed the characters, the acting, the violence and all the little things, what has stayed with me days later is the concept. Just when I feel that every self-referential and/or ironic angle has been played out, somebody comes along and rejuvenates the genre. Writer Joss Whedon and director Drew Goddard are two such somebodies.
For anyone who hasn't seen the flick yet, you might as well bail here. Oh, and people who like well-written and thoughtful posts, you kids should probably head out, too. I'll hold the door for you.
Sadly, I knew about the observation/lab angle going in. I tried to avoid any prior knowledge, but I inadvertently caught half a preview somewhere. But even knowing that much, still didn't prepare me for the awesomeness. And I'm not really talking about the ultimate ending (honestly, that kind of lost me, despite being cool visually), I'm really focusing on the contents of the program. Rooms and rooms of the worst things imaginable is so f--king badass it makes me want to squeal. Imagine if they could had licensed some of the horror legends, thereby making every horror flick ever true? I would have shit pure delight for at least a week. Maybe two.
The Cabin in the Woods fails on the realistic angle almost immediately, which removes damn near all the scares, unfortunately. But, it succeeds on just about every other level. While I enjoyed the characters, the acting, the violence and all the little things, what has stayed with me days later is the concept. Just when I feel that every self-referential and/or ironic angle has been played out, somebody comes along and rejuvenates the genre. Writer Joss Whedon and director Drew Goddard are two such somebodies.
For anyone who hasn't seen the flick yet, you might as well bail here. Oh, and people who like well-written and thoughtful posts, you kids should probably head out, too. I'll hold the door for you.
Sadly, I knew about the observation/lab angle going in. I tried to avoid any prior knowledge, but I inadvertently caught half a preview somewhere. But even knowing that much, still didn't prepare me for the awesomeness. And I'm not really talking about the ultimate ending (honestly, that kind of lost me, despite being cool visually), I'm really focusing on the contents of the program. Rooms and rooms of the worst things imaginable is so f--king badass it makes me want to squeal. Imagine if they could had licensed some of the horror legends, thereby making every horror flick ever true? I would have shit pure delight for at least a week. Maybe two.
