Showing posts with label Tam and Cheese (on Why?). Show all posts
Showing posts with label Tam and Cheese (on Why?). Show all posts

Wednesday, December 24, 2014

I don't know what it is, but it's not bird.

They’re everywhere. In fact, their numbers seem to be steadily climbing.

As a kid, it was incredibly difficult to avoid them. In fact, I was the poor bastard that was usually trotted out as a last resort. One of those sacrificial lambs encouraged (that should read forced) to just have some fun and give them a chance.

You’d think that I would have learned my lesson by the time I reached adulthood. You’d think I’d never again willingly spend another moment, not even a second, with another loud-mouthed, ignorant jerk.

You’d think.

I'm not going to lie. I love that shirt.
Tammy was actually worse than I expected. And I expected bad.  I was thinking charmingly bad, but this is just bad bad. Melissa McCarthy, for me, is on the clock. Time is running out on her once-amusing shtick.

Presented as a comedy, Tammy might actually be more at home being labeled a drama (if not an outright horror film). Tammy, after getting fired from a fast-food joint, comes home to find her husband is having an affair with a neighbor. She storms out, and along with her grandmother (an intermittently affable Susan Surandon), hits the road in an effort to deal with her crumbling personal life. Hijinks ensue, curse words are uttered, but damned if I didn’t care about any of it.

While I appreciate that this flick was a joint effort between McCarthy and her husband, first-time director Ben Falcone, that fun fact doesn’t trump how overwhlmingly abysmal this film is. I laughed a few times, and shockingly – my wife watched the whole thing – but it’s still such an uneven mess. Maybe it could have worked as an unrelentingly crude comedy (like The Heat, for example), or perhaps as a more straightforward drama with occasional funny bits (there are some valid themes worth exploring), but the final product is an unholy mix of terrible jokes and lame attempts at saying something. When the heavy moments come, they feel out of place and ridiculous.