Peanut butter and jelly.
Eggs and bacon.
Captain America's ass and fill lighting.
While the aforementioned are all spectacular examples, there are few better combinations than robots and monsters. Like the above, either member of the set is beyond spectacular, but when you delicately place giant, metal machines together with tentacled beasts from space, and make them fight to the death, it's pretty much instant boner time.
However, it's inevitable that eventually you are going to finish your sandwich.
The clock will strike noon, and unless you're a drunken college kid, off-the-clock hooker, or lax vampire (or the unholy combination of all three), eating breakfast will be frowned upon.
And Cap, well, the way I see it, great ass or not, he might want to stay away from (any and all light), if early speculation holds.
But robots fighting monsters? That never, ever gets old.
Which is really unfortunate, when you think about it.
As much as it (unsurprisingly) guts me to say it, Pacific Rim: Uprising is exactly what you'd expect it to be: only interesting when loud things go boom. Because giant mechs using laser swords on oversized space-lizards will always be cool as shit, I can't imagine too many years will pass before we get another entry into a series that may have already run its course. When they fight, we win, but when they talk, we snooze.
Supplanting a fairly rad cast of adults from the original Pacific Rim [review], the sequel is yet another film featuring the next generation... of people we ultimately won't give a f--k about.
There's Dead Guy's Kid, the requisite Young Girl That Can Do Everything, Clint Eastwood's Son (ugh, that ol' archetype), Pointless Hot Lady, Russian Ice Teen, and of course, Handsome Asian Dude. Despite earnest and noble performances from most of actors who play them, each character seems to exist solely to out-generic one another. All we needed was a guy with an eye-patch and a cigar telling them they were the sorriest group of cadets he'd ever laid eye upon, and we'd have been in cliche heaven.
See, Pacific Rim: Uprising ticks all the boxes that Independence Day: Resurgence [review] did a year-and-a-half ago (including totally reversible, post-colon nonsense in title). It just didn't grant us the industry-standard courtesy of waiting two decades to do so. Mostly unknown cast with a few returning favorites? Check. Boring interplay between pretty much everyone on screen? You betcha.
Eggs and bacon.
Captain America's ass and fill lighting.
While the aforementioned are all spectacular examples, there are few better combinations than robots and monsters. Like the above, either member of the set is beyond spectacular, but when you delicately place giant, metal machines together with tentacled beasts from space, and make them fight to the death, it's pretty much instant boner time.
However, it's inevitable that eventually you are going to finish your sandwich.
The clock will strike noon, and unless you're a drunken college kid, off-the-clock hooker, or lax vampire (or the unholy combination of all three), eating breakfast will be frowned upon.
And Cap, well, the way I see it, great ass or not, he might want to stay away from (any and all light), if early speculation holds.
But robots fighting monsters? That never, ever gets old.
Which is really unfortunate, when you think about it.
As much as it (unsurprisingly) guts me to say it, Pacific Rim: Uprising is exactly what you'd expect it to be: only interesting when loud things go boom. Because giant mechs using laser swords on oversized space-lizards will always be cool as shit, I can't imagine too many years will pass before we get another entry into a series that may have already run its course. When they fight, we win, but when they talk, we snooze.
Supplanting a fairly rad cast of adults from the original Pacific Rim [review], the sequel is yet another film featuring the next generation... of people we ultimately won't give a f--k about.
There's Dead Guy's Kid, the requisite Young Girl That Can Do Everything, Clint Eastwood's Son (ugh, that ol' archetype), Pointless Hot Lady, Russian Ice Teen, and of course, Handsome Asian Dude. Despite earnest and noble performances from most of actors who play them, each character seems to exist solely to out-generic one another. All we needed was a guy with an eye-patch and a cigar telling them they were the sorriest group of cadets he'd ever laid eye upon, and we'd have been in cliche heaven.
See, Pacific Rim: Uprising ticks all the boxes that Independence Day: Resurgence [review] did a year-and-a-half ago (including totally reversible, post-colon nonsense in title). It just didn't grant us the industry-standard courtesy of waiting two decades to do so. Mostly unknown cast with a few returning favorites? Check. Boring interplay between pretty much everyone on screen? You betcha.














